kill-whitepeople:

charmandork:

fatflagrantfeminist:

thedarkchocolatedandy:

beam-meh-up-scotty:

Kanye West getting deep on twitter

SOLID.

this is why I love this man. 

Okay, if you don’t love Kanye, I question you and will forever until you learn.
I’ve never had a man ask me straight up if it was okay to use the word “bitch” even endearingly.
Not once.

is this real

yes

http://www.huffingtonpost.com/2012/09/04/kanye-west-introspective-word-bitch_n_1853966.html

(Source: elenacupcakegilbert, via chooblogs)

error888:

Marine by Gibbon - Nuttavut Baiphowongse - CGHUB

(via carcassraid)

charactermodel:

Matt Sheean and I are working on a really big, exciting project! Here’s one of the character designs. He won’t be naked in the comic, so calm down.

via malachiward/apepriory:/Matt Sheean and Malachi Ward

(Source: mattsheean, via bloodybough)

theblackbirdsong:

.

(Source: delivermetoevil, via bonny-notion)

jakewyattriot:

Test Number Two.  Stay tuned.  Next week she uses the sword.

For those of you who missed it: Test Number One.

-Jake

(via officiousseeingeyebitch)

pyrrhic-victoria:

Forest by ~Sarafinconcepts

(via key-0)

it8bit:

Stunning Pixel Art

Created by Waneella

(via aeryllir)

saveroomminibar:

The Concept Art of Kai Carpenter.

(via marazione)

artchipel:

Patricia March - Tempo in circle

newtypelady:

poupon:

axl99:

ienjoyfewthings:

Dear anyone responsible for a work of fantasy fiction,

This is how you warrior.

UGH. YES. LADIES IN PROPER ARMOR.

Two of those are by Marian Churchland, who is THE BEST

I WILL NEVER APOLOGIZE FOR MY LOVE OF FULL ARMOR.

(via colony-drop)

(Source: de-maupin, via marazione)

donworks:

                                        - CELEBRATION - 

    working on finishing techniques using water color, ink, acrylic and copic marker. The technique still in development. let me know what you all think        :U      

jasonsolo:

Botanica I by Jason Solo

jasonsolo.com

foryouratelophobia:

sober2:

 

H

pinstripesuit:

wizzard890:

andreasmroberts:

Nicola Samori (b. 1977). Italian.

Neo-Baroque??

Nicola Samori is fucking incredible. He works out of Italy, and he’s managed to nail the style of the Old Masters: his exhibitions contain everything from beautiful Baroque saints to Flemish still lifes — all painted now, in the modern era, in his studio. And that would be amazing in and of itself, but his work is so much more than simple reproduction. See, once he’s finished with a painting, or once he’s adapted one that’s been previously created, he takes a scalpel to it, a spatula, or a square of sandpaper, and begins to peel it apart. He flays painted skin right off his subjects’ bones.

Sometimes the “destruction” of the images asks the audience to think about what, exactly, the painting communicates when it’s whole. Other times it adds a strange level of corporeality to religious works, or gives portraits a darkly spiritual dimention they never had before. 

He’s said in interviews that he views the layers of paint on the canvas as analogous to the muscle and tissue of the human body, and that by wearing it away, he changes the identity of the paintings themselves.

Dark and sometimes chilling as it is, I think his work is genuinely brilliant, and he’s one of my favorite living artists.

(Long story short, here’s his website, go check it out!)

reblogging these again because yes

(via chooblogs)